Saturday, May 1, 2010
Senior Show III
Here are some images of my installation that Vern took. I'll be taking the strobes to the gallery, so I can get some truer looking images, but these work for now.
Left to right: Toads, Discovery, Impressions, Adventure.
In my work, animals represent seasons of life. By pairing imagery from personal experiences with animals I have encountered, I am creating a self-portrait.
Maps aid us in moving forward, but are also a tool for re-tracing our past. I have constructed a map of the city of Ashland, continuing the idea of the self-portrait.
Using printmaking as my medium of choice, I am able to create multiple impressions and variations from one single plate. This idea is similar to that of making discoveries in life. One realization can lead to endless applications.
My images: Impressions, Discovery, Adventure, and Toads, are about basing new adventure on past discovery. I intend to engage the viewers with small details, and encourage them to draw connections to their own lives.
Wednesday, April 28, 2010
Show
Thursday, April 22, 2010
Recent activity
Wednesday, April 14, 2010
Catch up time
Ok, so I'm a little behind on the blogging... I'm going to try to make up for lost time. Today the Art Theory and Crit class traveled to Cleveland to view an exhibit at the MOCA. I had never been to this space, so I was excited to see what they had to offer.
The show that is on view now is FROM THEN TO NOW:Masterworks of Contemporary African American Art. I was familiar with several of the artists on display, and enjoyed learning about some new ones too.
One of my favorite works was by Bradley McCallum and Jacqueline Tarry. I am including an excerpt from their website describing the project, there were only a select number of portraits on display at the MOCA though.
"The 104 portraits pay homage to the protesters who were arrested during the January 1956 Montgomery Bus Boycotts. Each portrait is constructed of two layers: one, an oil painting on linen painted from the original mugshot and the second a photographic image printed on sheer silk. The source image for both the painting and the photographic layer was the original mugshot of each protester. This work forms a dialogue between classical portraiture; which establishes a position of dignity and honor for its subjects, and photography as document and evidence. On the painted layer the arrest record is omitted; however, this number appears as a ghostly image on the silk layer."http://www.mccallumtarry.com/
It was refreshing to see some good contemporary art as I continue working on my show. I will provide updates as they come.
Monday, March 29, 2010
Light box progress
Monday, March 15, 2010
Lightbox
Monday, March 1, 2010
Statement and new progress
Maps are a way of moving forward and tracing where we have been. I am creating imaginary maps by photographing linier texture in the art studios. By taking images from a place I am familiar with and pairing them with text, I hope to bring awareness to the fact that our lives are what we make them to be. Everyone makes choices, either good or bad, that shape the way our lives play out.
Throughout the rest of the semester I plan to continue exploring the idea of imaginary mapmaking. I will alter the image both on and off screen. Adding text to the images in a poster like way will allow the viewer to relate the image more to his or her life.
I will have these maps printed on backlit film multiple times and work on layering them for a topographic effect.